My debut EP (as schädel) is out today on RACECAR!
Check it out below, or buy on Juno, Amazon, or wherever you buy digital music.
https://soundcloud.com/race-car-productions/sets/schadel-watch-my-captor-grow-old-and-die-ep
As you may know, Richard D. James has been going a bit wild over on soundcloud, uploading a bunch of new, unreleased tracks to an initially anonymous account, user48736353001. And by a bunch, I’m saying that although initially they numbered in the 20s, the number grew to nearly 100, only to hit something like 112 a few days later. I thought it was done a week or two ago when it hit 157, but he’s at it again with nearly 20 more, including this gem:
https://soundcloud.com/user48736353001/5-scorrier
This is a version of Caustic Window’s “101 Rainbows”, which (to my knowledge) only saw release in “ambient mix” form, on the Caustic Window LP in ’94. According to user48736353001 (RDJ), in a comment on the above track’s page, “this was done b4 dat udder1”.
Regardless, enjoy.
While over on soundcloud, doing a bit of cleanup in advance of my new EP, I ran across an old track I made. It’s a weird combination of samples, with a screwed Stevie Wonder for the “verses”, and a bit of MC Pitman on the chorus, reminding us that “shit dj’s play shit records”.
Check it out below
It’s official: my debut release as schädel, on Racecar, has been announced!
The six-track EP, entitled Watch My Captor Grow Old and Die, will arrive on March 10th, just about a month away. As I said on my schädel FB page:
It’s taken me so long to do this that my list of thanks would be totally tl;dr, so rest assured, if you contributed in any way, I appreciate it.
So thanks, everyone. Please click through and listen to the previews over on Racecar’s page.
logo by Max Huffman. he rules.
I’ll be creating things more consistently in 2015, and hopefully that will include a podcast. The details aren’t ironed out yet, but I think it’ll be a talk format, with one to two other, perhaps rotating guests. In preparation for this, I’ve been listening back to the previous podcast, called We Are Not Delicious. It was a talk format, nothing groundbreaking, but it was fun to do. I’m finding it surprisingly entertaining, and I’m not just saying that so you’ll check it out.
We stopped mainly because it just sorta fizzled out. We were both quite busy, and the weekly show’s production (recording and post-production) took about three to four of my evenings a week. This, combined with a lot of technical challenges (both with hardware and Skype, as my co-host was in Arlington), made for something that was ultimately unsustainable.
In revisiting the podcast, I noticed that the RSS feed wasn’t working correctly, and a few quick attempts to fix it were unsuccessful. So, for those of you who may want to check it out, here are all the episodes (and extra bits), along with links to the show notes.
Feel free to comment below, if you are so moved.
I *really* need to figure out how to answer when people ask me what type of music I play. Especially when it's a coworker.
— djempirical / Slake Moth (@djempirical) December 31, 2014
I'm also tempted to make an edit of a Hogscraper tune for dj-ing. This may relate directly to my last tweet.
— djempirical / Slake Moth (@djempirical) December 31, 2014
Here’s my modular synth set from my ambient/drone show. This is slightly edited from the live performance because of a couple issues with the raw recording).
Downloadable, so feel free to share.
I’ve been working on a few loop tracks, inspired in part by Chuck Person’s Ecco Jams.
These will probably end up being a proper release, but until then you can listen here.
Listen to “Guru Meditation (schädel mix)” by stAllio!.
stAllio! made another record, and asked me to do a remix. Here’s his description of the record on which it appears:
stAllio!’s triumphant return to the world of sonified data! once again, stAllio! plunges deep into his hard drive and listens to the data — image files, executables, and link libraries alike are converted to sound for his review. the choicest bits of data are then meticulously assembled into music: glitchy melodies, skittery rhythms, and thunderous beats emerge from the digital noise. you could call it IDM (interpreted data music), dirty 8-bit, or glitch-hop. stAllio! used to call it databent music, but these days prefers the simpler term “data sound.”
You can hear the original version of the track here.
A little too much Boards of Canada, and this came out.